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Alessandro Sanquirico
Alessandro Sanquirico (Milan, 27 July 1777 – Milan, 12 March 1849) was an Italian scenic designer, architect, and painter. He began his career in conjunction with leading artists of the time such as Paolo Landriani, Giovanni Pedroni, Giovanni Perego, and Georgio Fuentes.〔Sheren in Grove 1998, pp. 168—169〕 Additionally, he studied architecture and perspective with Giuseppe Piermarini, the architect of the La Scala opera house.
Altogether, he designed over 300 productions for that house, including many premières. Specifically, they included four operas by Vincenzo Bellini.
==His work at La Scala==
For fifteen years, from 1818 to 1832, Sanquirico dominated the visual style of La Scala, not only on stage, but also in the auditorium. He designed the ballets of Salvatore Viganò at the beginning of the 19th century, and the world premières of Rossini’s ''La gazza ladra'', Bellini’s ''Il pirata'', ''La straniera'', ''La sonnambula'' as well as ''Norma'' in 1831. His set designs were prepared for Donizetti’s works at La Scala, and these included ''Anna Bolena'' when it appeared there, ''Ugo, conte di Parigi'' and ''L'elisir d'amore'', both in 1832, and the premiere of ''Lucrezia Borgia'' in 1833.〔
He provided the decorations for the celebration of the crowning of Ferdinando I of Austria, as king of Lombardy and the Veneto. Additionally he worked in the Teatro Alberti in Desenzano, the Teatro Sociale in Canzo, the Teatro Sociale in Como, and the Teatro Municipale in Piacenza. He worked with Andrea Appiani and Bargigli in the design of the Arena Civica of Milan and provided the scenography for ballets by Salvatore Viganò. He helped decorate ceilings in the Cathedral of Milan.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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